Wednesday, 30 November 2016

Listening (30/11)


Listening: the visual context, gestures, drawings, body language
  • Implication of the learner as listener. It means that the child must learn in action.
  • The use of gestures, drawings and body language is recommended to create an encouraging atmosphere in the classroom.
  • Background disturbing noise must be avoided.
  • Sounds or acoustic references may encourage comprehension.
  • In time the acoustic material should become more realistic.
  • Visual support is always necessary in early listening exercises in order to create a context and assist the listening effort.



Early descriptions

  • Early descriptions may arise from the use of some commands as a simple answer to the questions why or what for. 


The use of the mother tongue as a compensating strategy
  • Though the use of the FL is the goal, the first language can be used as a helping hand to maintain motivation. 
  • The first language can also provide context. In this case it is the equivalent to a picture. 
  • Some conclusive parts of the listening interactive task may require the exclusive use of the FL. 


Reasons for listening
  • We, as non-native speakers of English, need to understand more than we should be able to produce. 
  • The samples of spoken language in all course-books do not contain a sufficiently high proportion of the features of natural speech. 




Tuesday, 29 November 2016

/ʊ/ and /u:/ (29/11)


7./ʊ/

Approximate Castilian production
  • The Spanish sound is produced at the back and it is tenser.
  • A similar sound can be heard when it is nect to “r” and “l”: hurto, pulso.

Articulation
  • The tongue and jaw are raised as the back of the tongue is used to articulate this vowel. Hence it is a back, close (high) vowel. The lips are rounded.

Most important spellings that represent /ʊ/:
  • U: full, put.
  • Oo: book, look.
  • Ou: could, should.
  • O: woman.


8. /u:/

  • This vowel is towards the back and is a close sound. The lips are only moderately rounded.

Approximate Castilian production
  • It is more closed and tenser than the Spanish “u” (apart from being longer).

Most important spellings that represent /u:/:
  • Oo: spoon, shoot, troop, boom.
  • Ou: soup, route.
  • O: do.
  • U: June, flu.
  • Ew, ue, ui, oe: jew, blue, suit, shoe.

Minimal pairs

/u:/
/ʊ/
Fool
Luke
Cooed
Shoed
Pool
Full
Look
Could
Should
Pull





Here I post a video where they explain the differences between /ʊ/and /u:/:



/ɒ/ and /ɔ:/ (29/11)


5. /ɒ/

The organs of articulation maintain similar positions to the ones of /a:/.
  • The tongue and jaw are lowered as the back of the tongue is used to articulate this vowel.
  • The lips are slightly rounded.
  • Portal, cortar, cordial, loro. 

Approximate Castilian production
  • For the realization of /o/ the articulation organs maintain very similar positions to those of /a:/, with the difference that the lips can be lightly widened for /o/. Another difference is the double duration of /a:/ and their potion.

Most important spellings that represent /ɒ/:
  • O: not, box, dog.
  • A: want, what, watch.
  • Au: because.
  • Ou: cough.


Minimal pairs: 

/ɒ/
/ʌ/
Cop
Shot
Lock
Strong
Mock
Long
Gone
Cup
Shut
Luck
Strung
Muck
Lung
Gun



6. /ɔ:/

For many English speakers in the opposition between /ɒ/ and /ɔ:/ quantity is a fundamental feature. In these cases, the Castilian realizations are the same ones that thoses pretended then speaking of /ɒ/.

Approximate Castilian production
  • But it is evident that /ɔ:/ it is a much more open vowel that the next Castilian one, and nowadays more English people do not base the opposition on quantity but n other features, as, for example, rounding of the lips, almost null in /ɔ/. To many Spanish-speakers it sound more proximate to /u/ than to /o/.


Most important spellings that represent /ɔ:/
  • Or: horse.
  • Oor: poor.
  • Ore: more.
  • Aw: saw.
  • Oar: board.
  • Ou: bought.
  • Our: four.
  • A: all.

Minimal pairs:

/ɒ/
/ɔ:/
Caught
Sport
Short
Stalk
Cot
Spot
Shot
Stock





Here I share a video where they explain the differences between /ɔ:/ and /ɒ/:



Oral communication - Listening (29/11)


3. Listening
  • Teacher should provide student with sufficient listening practice to enable them to understand with reasonable ease both native and non-native speakers of English when they speak at normal speed in unstructured situations. 
  • Listening is key to all effective communication, without the ability to listen effectively messages are easily misunderstood – communication breaks down and the sender of the message can easily become frustrated or irritated. 


  • A student will learn a great deal by listening to the teacher.
  • The teacher is the most important model on which the student will base his/her own behaviour. 
  • It is important, therefore, that you speak English at a speed consistent with normal stress and rhythm and intonation patterns. 


  • It is simply not sufficient to expose the learners to those samples of spoken language which are, for example, the presentation of the unit.
  • These samples are simplified to provide the students with models for oral production.
  • Le. There are oral texts specified as a presentation of the unit, for specific practice, as reinforcement or even revision.
  • A silent period is recommended for beginners.
  • Together with a great deal of listening activities. 
  • The teacher provides comprehensible input. 
  • Use of CDs, video recordings, ICT based resources.
  • Beginners may feel paralyzed when they do not understand.



  • A single speaker with a clear voice is recommended in early listening tasks.
  • When there are two or more speakers, their voices should be clearly distinguished. 
  • Children must begin by getting involved in the listening task.
  • Following recorded directions with some descriptive clues is recommendable to improve the listening skill.
  • If the task is easy to perform and the comprehensible input understood, an exchange of role is the next step. 
  • The more advanced pupils will adopt the leading role.
  • Children will reproduce TPR techniques. 


Monday, 28 November 2016

Free screencast softwares (28/11)


CamStudio
  • CamStudio: open source software.
  • Only for windows.
  • Output formats: AVI and SWF. 


Jing (free version)
  • Image: capture an image of what you see on your computer screen.
  • Select any window or region that you want to capture, mark up your screenshot with a text box, arrow, highlight or picture caption, and decide how you want to share it. 
  • Jing videos are limited to five minutes for instant, focused communication.
  • Videos can be shared through social media.




Wink
  • Open source software.
  • Several output formats.
  • For windows.
  • You can capture screenshots, add explanations boxes, buttons, titles, etc.
  • www.debugmode.com/wink



BB Flashback Express




Web-based Screencasts
  • You do not need any external software.
  • Just go to the web page and record.
  • The recordings can be shared in social networks.


Screenr
  • Just clicking on the record button, capture the screen (and voice, if you want).
  • Share it through social networks.
  • It is not free anymore. 



Screencast-o-matic




Thursday, 24 November 2016

/æ/ and /a:/ (24/11)


3. [æ]

Approximate Castilian Production
  • It is the lowest front vowel of English. It is a short, lax, unrounded vowel, a little higher than the cardinal vowel /a/.
  • In Castilian there is not a similar vowel, on the other hand it is in the speech of many Valencians.
  • The most approximate sound can be found in syllables containing a palatal consonant.
  • E.g. chanza, ancha, llano, fallo. E.g. wide, plain, failure. 
  • A didactic resource to get an approache to be pronounce the phoneme /e/ with a much bigger separation between the jaws. 
Most important spellings that represents /æ/:
                - “A”: hand, match, lamp.


Minimal pairs

/æ/
/e/
Flash
Mass
Rack
Bad
Bag
Man
Pat
Flesh
Mess
Wreck
Bed
Beg
Men
Pet



4. /a:/

Approximate Castilian production
  • It doesn’t exist in Spanish. This vowel and /æ/ and /ʌ/ are focus of confusion for beginners.
  • Some Spanish people pronounce /g/ as a guttural instead of velar, specially between vowels, this /a/ is similar to the English corresponding.
  • E.g. haga, traga, saga, etc.
  • The important aspect is to give double quantity, because it is a long vowel.
                - It is normally spelt by the letter a. 
                - Followed by a silent r in syllable or word-final position: jar, carpet.
                - It is often followed by a silent l in words like pal, calm, balm.
                - Sometimes f or ff can follow: after, staff.
                - Or ss: pass, class.
                - Or s or n followed by another consonant: past, demand.
                - Or th in word-final position: path, batch.
                - Or, exceptionally, other letters: aunt, Berkeley, hearth, father. 


The most important spellings that represent /a:/:
  • "A": ask, grass, car.
  • "ER": ear, clerck, heart.
  • "AL": half, calm.
  • "AL": aunt, laugh.

Minimal pairs

/a:/
/æ/
March
Lark
Bark
Carp
Barn
Match
Lack
Back
Cap
Ban






Here I share an interesting video for Spanish speakers, where they explain differences between /a:/, /æ/ and /ʌ/ (which is explained in this post):


Video "Imagine" (24/11)


Today, we were watching the videos that we were told to do.

They had to have "Imagine", by John Lennon for the soundtrack. Each one of us chose a topic. Mine was about the marchs from Selma to Montgomery, a fight for the black people's civil rights.

The objective to do this exercise was to learn how to create a video using only images.

I used a presentation in PowerPoint and then, I recorded it.


Click on the image to see the final resault on Google Drive:


Wednesday, 23 November 2016

International Phonetic Alphabet


Here you have the International Phonetic Alphabet (IPA) in case you need to copy and paste any of these symbols, and some examples. 


Vowels   
IPA     Examples
ʌ     CUP, LUCK
ɑ:     ARM, FATHER
æ     CAT, BLACK
e     MET, BED

ə     AWAY, CINEMA

ɜ:ʳ     TURN, LEARN

ɪ     HIT, SITTING
i:     SEE, HEAT
ɒ     HOT, ROCK

ɔ:     CALL, FOUR

ʊ     PUT, COULD
u:     BLUE, FOOD
     FIVE, EYE
     NOWOUT
     SAYEIGHT
     GO, HOME

ɔɪ     BOY, JOIN
eəʳ     WHEREAIR

ɪəʳ     NEAR, HERE

ʊəʳ     PURE, TOURIST

Consonants
IPA     Examples
b     BAD, LAB
d     DID, LADY
f     FIND, IF
g     GIVE, FLAG
h     HOW, HELLO
j     YES, YELLOW
k     CAT, BACK
l     LEG, LITTLE

m     MAN, LEMON
n     NO, TEN
ŋ     SING, FINGER
p     PET, MAP
r     RED, TRY

s     SUN, MISS
ʃ     SHE, CRASH
t     TEA, GETTING

     CHECK, CHURCH
θ     THINK, BOTH
ð     THIS, MOTHER
v     VOICE, FIVE
w     WET, WINDOW
z     ZOO, LAZY
ʒ     PLEASURE, VISION
     JUST, LARGE


Here you have a chart too. 




Here you have a webpage that can help you with phonetic transcriptions: http://lingorado.com/ipa/es